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Gibbes, Gilliard, and ladies-in-waiting Lili Dehn and Anna Vyrubova described Anastasia as lively, mischievous, and a gifted actress. Her sharp, witty remarks sometimes hit sensitive spots. However, even in the last months of her life, she found ways to enjoy herself. She and other members of the household performed plays for the enjoyment of their parents and others in the spring of Anastasia's performance made everyone howl with laughter, according to her tutor Sydney Gibbes.
Two young women claiming to be Anastasia and her sister Maria were taken in by a priest in the Ural Mountains in where they lived as nuns until their deaths in They were buried under the names Anastasia and Maria Nikolaevna. The purported survival of Anastasia has been the subject of cinema, made-for-television films, and a Broadway musical.
The earliest, made in , was called Clothes Make the Woman. The story followed a woman who turns up to play the part of a rescued Anastasia for a Hollywood film, and ends up being recognized by the Russian soldier who originally rescued her from her would-be assassins.
Young Anastasia was a vivacious and energetic child, described as short and inclined to be chubby, with blue eyes[11] and blonde hair. Baroness Sophie Buxhoeveden told of her sad last glimpse of Anastasia: "Once, standing on some steps at the door of a house close by, I saw a hand and a pink-sleeved arm opening the topmost pane.
According to the blouse the hand must have belonged either to the Grand Duchess Marie or Anastasia. They could not see me through their windows, and this was to be the last glimpse that I was to have of any of them! We played on the swing, that was when I roared with laughter, the fall was so wonderful! I told the sisters about it so many times yesterday that they got quite fed up, but I could go on telling it masses of times What weather we've had!
One could simply shout with joy. Olga is hitting Maria,and Maria is shouting like a big idiot. A Dragoon and a big idiot. Anastasia shares some physical resemblance with her father, Nicholas II. Although Anastasia's mother, Alexandra, is seen only briefly throughout the entire film, and we are unable to visually compare the two, but if you watch Alexandra closely she shares a great physical resemblance with the adult Anastasia, her grandmother, the Dowager Empress Marie , states that she inherited the beauty of her mother and the laughter of her father.
According to Dimitri and Vladimir , Anastasia inherited Empress Alexandra's chin, Empress Marie's hand, and the seemingly renowned blue eyes of the Romanovs. In the beginning, as a teenager, she wore a black newsboy cap, a gold tunic, an olive-green overcoat, black pants, and brown boots. Aboard the ship, she wears a blue dress with white-trimmed sleeves. For the opera, she wore a navy-blue evening dress, with white opera gloves, a silver choker around her neck, diamond earrings hanging from her ears, and her hair was tied into a bun with a silver hairband.
Before she entered the opera theater, she was also seen wearing a teal overcoat with a white frilly collar on the rims and white frilly cuffs on the sleeves. From quite early in the film, Anastasia is portrayed as bright, spunky, stubborn, serious-minded, bold, tough, artistic, but very kind, affectionate, nice, altruistic, sweet-tempered, tidy, accountable, sympathetic, intellectual, astute, intelligent, bright, caring and smart, she is known to care for animals like her pet dog Pooka , although she doesn't behave like royalty even though it runs in her blood.
She also is a tomboy and a fighter. She was always naturally independent and had no problem speaking her mind or standing up for herself. However, she can appear to be insecure and shy at times, such as when Dimitri reveals that she would have to prove to Sophie and Marie that she is the Grand Duchess. According to Vladimir , she was quite notorious for her mischief among the palace staff during the Romanov reign.
One of Anastasia's most obvious personality traits is her high level of determination. As seen in the film, once Anastasia sets a goal for herself, she sticks to that goal until she is satisfied with her success, despite her frequent displays of insecurity. In this case, she was determined to find her family in Paris, and refused to stop until she succeeded.
She is also physically very strong; when she makes her deal with Dimitri she grabs his hand and shakes it with an iron grip, making him jump and make a foul face. Afterward he massages his mistreated hand.
Like the character that was based on the cartoon Anastasia, the real Grand Duchess also had blue eyes, and a thin, delicate nose like her mother's, but in real life, she has strawberry-blonde hair. People close to the family thought she could have become a real beauty when she grew up. As a child she was small and impish. As she grew into her teens she put on weight and become rather round and pudgy in Siberia. Alexandra despaired of her weight and hoped it was baby fat to be naturally lost as she grew older.
Her weight was a constant source of affectionate harassment in the family. Alexei and Anastasia had a close relationship, they seemed to communicate without speaking using some sort of sixth sense.
She was always running to his rooms to entertain him with her antics - or steal food from his buffet tables. When the Tsarevich was ill, Anastasia seemed to 'feel' his illness herself. She knew how to distract him, how to make him forget his pain.
Maria and Anastasia were close as well.
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