Where is claudio monteverdi from

This musician was much feted throughout his lifetime; he was one of the most celebrated musicians in Italy and across Europe until the time of his death. Upon his death in a grand memorial service was organised in his honour at the Saint-Marc Basilica in Venice. Why did he experience such success? Perhaps due to his cutting edge music… Monteverdi was not content to merely compose; he was deeply inspired by his predecessors, whilst also evoking a sense of novelty and modernity in his music.

This was also the case for numerous Renaissance and Baroque composers. It therefore only took a few years for a celebrated star to be replaced with a younger, more talented or cutting edge composer. Monteverdi was not content to follow the rules set out by his predecessors. This musical style differed greatly from the stricter, contrapuntal style of earlier Renaissance composition, making greater use of unprepared dissonance and responding sensitively and dramatically to the text.

Orfeo , commissioned by Prince Francesco Gonzaga for the Carnival of —07, was his first opera. They are as innovative as his earlier works, demonstrating his extraordinary adaptability and unique dramatic powers. The opera was so successful that it was performed over ten times in the Venice Carnival of This opera was so grand that when it was performed in the Venice Carnival in , it was in a setting that housed people, yet the stage was larger than the auditorium.

He also wrote a mass of thanksgiving in Claudio Monteverdi passed away of November 29, in Venice. Home About List Blog Contact. Monteverdi had already published several sets of vocal music, both sacred and secular. The first, Sacrae cantiunculae, appeared in when he was just 15 years old. The Mantuan court was small but culturally active, and he came into contact with many leading musicians. He met Giovanni Gastoldi, one of the few late Renaissance composers now known as a composer of dance music.

Monteverdi soon left any historical models far behind. So much so that, in around , he was targeted in a series of articles by Giovanni Maria Artusi. Compositional license was permitted, he argued, in order to better reflect the meaning of the text. In Monteverdi was appointed master of music to the Duke of Mantua.